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Dan Slott
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Silver Surfer (2014-2015) #1 Kindle & comiXology

by Dan Slott (Author), Mike Allred (Cover Art, Artist) Format: Kindle Edition
4.5 4.5 out of 5 stars 7 ratings
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"NEW DAWN". The universe is big. Bigger than you could ever imagine. And the SILVER SURFER, the lone sentinel of the skyways, is about to discover that the best way to see it... is with someone else. Meet the Earth Girl who's challenged the Surfer to go beyond the boundaries of the known Marvel U-- into the strange, the new, and the utterly fantastic!
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  1. Part of Series
    Silver Surfer (2014-2015)
  2. Print length
    20 pages
  3. Language
    English
  4. Publisher
    Marvel
  5. Publication date
    April 2, 2014
  6. File size
    74.6 MB
  7. Page Flip
    Not Enabled
  8. Word Wise
    Not Enabled
  9. Enhanced typesetting
    Not Enabled
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Silver Surfer (2014-2015)
Silver Surfer (2014-2015)
Bundle price: Kindle price
$5.97
Bundle price: Kindle price
$9.95
Bundle price: Kindle price
$19.90
Bundle price: Kindle price
$29.85
By placing your order, you're purchasing a license to the content and you agree to the Kindle Store Terms of Use.

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Product details

  • ASIN ‏ : ‎ B00ZNY43HO
  • Publisher ‏ : ‎ Marvel (April 2, 2014)
  • Publication date ‏ : ‎ April 2, 2014
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 74.6 MB
  • Text-to-Speech ‏ : ‎ Not enabled
  • Enhanced typesetting ‏ : ‎ Not Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Not Enabled
  • Print length ‏ : ‎ 20 pages
  • Customer Reviews:
    4.5 4.5 out of 5 stars 7 ratings

About the author

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Dan Slott

Dan Slott

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Dan Slott is an Eisner winning and NYT Best Selling comic book writer. He's best known for his 10 year run on Amazing Spider-Man, including the Superior Spider-Man saga and the original Spider-Verse comics. Slott is the current writer on Marvel Comics' monthly Superior Spider-Man and Spider-Boy books and Titan Comics' annual Doctor Who specials. He has also written an Eisner nominated run of Silver Surfer, as well as runs of Fantastic Four, Tony Stark: Iron Man, Mighty Avengers, Avengers: The Initiative, The Thing, Batman Adventures, Ren & Stimpy, and the critically acclaimed Batman mini-series, Arkham Asylum: Living Hell. His run on She-Hulk helped serve as the inspiration for the She-Hulk: Attorney at Law series on Disney+.

Customer reviews

4.5 out of 5 stars
7 global ratings

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Top reviews from the United States

  • Bruce C. Wolford
    3.0 out of 5 stars Three Stars
    Reviewed in the United States on July 2, 2016
    Verified Purchase
    Art stinks but story okay.
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  • Adam Graham
    4.0 out of 5 stars Good Entry Point
    Reviewed in the United States on April 29, 2014
    My curiosity was peaked about the Silver Surfer when I read the preview in Superior Spider-man. I have very limited experience with the Surfer beyond his Silver Age Fantastic Four appearances, and cartoons and found this pretty easy to follow as it established his backstory as a herald of Galactus and also introduced Dawn Greenwood who, based on the preview, will end up travelling the galaxy with the Surfer. (Doctor Surfer, perhaps.)

    Dawn and the Surfer are apart until the last page. Dawn lives at a family run New England Bed and Breakfast in Anchor Baby and her sister decides to become a world traveler while Dawn is a homebody who only shows any regrets about the path she's chosen towards the end of the book.

    The Surfer meanwhile has found a species that hidden itself from him seeking his assistance on their very big and crowded homeworld. This one point in the book where the art kind of failed as the Planet just looked very crowded and busy and it really should have been more breathtaking based on the dialogue.

    The story was okay throughout but some of the changes towards the end really peaked my interest Nothing breathtaking happens, but for a first issue, I think it does it's job. It introduces the characters and some interesting concepts, and personally I'm looking forward to more from the Surfer and Dawn.
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  • Travis Starnes
    3.0 out of 5 stars This issue has a very dated feel to it
    Reviewed in the United States on April 9, 2014
    I was met with a feeling of great excitement, followed quickly by a feeling of real disappointment as soon as I heard about this series. While on the one hand I really like the Silver Surfer, to say I am not a fan of Mike Allred’s art is an understatement. The strange thing about that is that there is nothing intrinsically about his art which I do not like; I have just never seen a single book that he has done the art for that I want to read. I am not sure if that is because I look at the art and no longer want to read it, or if the concept simply does not appeal to me at all.

    So here I am in the unique position of finding a comic which I really want to read, yet at the same time really dreading it. Having read through it a few times I am in no better situation, I both love it and hate it. The best way I can describe it is if you imagine a 1960s car; take away the rust and put in power steering, air conditioning, proper seats and a decent engine. What you are left with is a modern car, but with all the stylistic choices and draw backs of a much older car. The art here is definitely modern and the production of the comic is modern even the panel layouts are modern, but everything I look at screams ‘old.’ There is some excessive use of Kirby Crackle, ridiculous and insane physics and even a dress sense for the human characters that looks dated.

    This book for me is a long list of contradictions, of art I both love and hate; a story which is both ridiculous and engaging; and a dated feel which both helps and hinders me with my enjoyment. I do not think I could have taken this book seriously had the art of been very modern, the entire book feels like one of the mad and zany stories from a 60’s Fantastic Four comic. This works because it looks like that, but it also puts me off at the same time. I expect if you like the older books and more importantly enjoy the modern day Fantastic Four title, then this will be absolutely perfect for you, but I need a bit more, a bit of darkness in my comics, which is probably why Deadpool appeals to me so much; crazy and horrifying all at the same time as opposed to just crazy.
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